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Marty Gervais



Windsor writer Marty Gervais is a journalist, poet, photographer, teacher, and publisher who has written more than a dozen books of poetry, two plays, a collection of essays about his home town, and a novel. Awards include the Acorn-Plantos People's Poetry Award, Toronto's prestigious Harbourfront Festival Prize, and the City of Windsor Mayor's Award for Literary Arts. He is currently a columnist at the Windsor Star, the Resident Writing Professional at the University of Windsor, the managing editor of the Windsor Review literary magazine, and the founder and publisher of Black Moss Press, now celebrating its fortieth anniversary, and one of the oldest literary presses in Canada. Versions of the following poems appear in his new book, Lucky Days (Mosaic 2009).

Imagining Myself Bearing Good News

At dawn, the corridors are silent
and I wander the hospital
I get off at the second floor
see the north wing entrance
draped with Do Not Enter tape
the nursing station abandoned
metal racks now empty of
patients' binders
the wing shut down
lights dimmed
I am walking at the bottom of the sea
imagine the drift and heave 
of plant life, pyramids of form
eerie fish drifting in slow motion
in this muted ballet of form and ritual
The doors to rooms are opened
wide like forlorn outstretched hands
of the souls of Purgatory or barn
doors left swinging in a storm or
doors of a wrecked ship lodged
in the havoc of sand
I am walking at the bottom of the sea
alone and silent among the dead
a place of faint memories
extinct clangour of rolling carts
breakfast trays and footsteps
amid hushed prayers of the ill
I move from room to room
—a visitor, a stranger, a friend
imagine myself carrying daffodils
imagine myself bearing good news
imagine myself bringing life
to all that seemed doomed
I am walking at the bottom of the sea
My heart swims above me
like a face I ought to know
 

That Day at War

I had forgotten
until I wended my way
through the streets
in this northern Iraqi city
how as an adolescent 
in Bracebridge
we tossed whiskey bottles
stuffed with lit gasoline-soaked rags
at rotted out tree stumps
and ran like hell
and buried our heads
in the snowbanks
feeling a deafening shudder
in the cold earth
We played soldiers
from the Second World War
borrowed jammed German Lugers
defunct bolt action rifles
and stick grenades
—souvenirs from 
other boys' fathers
who came home from the war
We crawled through
the wet underbrush
creeping up on
imaginary enemy lines
and once set fire
to a hermit's shack
in the woods along
the river behind
my father's factory
until one winter
we outgrew such games
took up snooker 
at the pool hall
spent days
in the smoke-filled confines
below Main Street
and forgot war and terror
Now I walk this market street
in Northern Iraq, listen
to a man telling me how
his best friend's son
was left bloodied
and dead
on the doorstep
of his house
to make a statement
to register fear
to tell the world
And I wondered about
the poor man whose
house we burned
in the dead of
winter, what kind
of statement that was
what kind of war





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