John B. Lee
John B. Lee is Canada's most prolific poet, with more than fifty books to date. He is a three-time recipient of the Acorn-Plantos People's Poetry Award, has received the CBC Literary Award for Poetry, the Eric Hill Award for Excellence in Poetry, plus another sixty national and international awards. In 2005 Lee was inducted as Poet Laureate in perpetuity of Brantford, where he lives. His work has appeared internationally in over five hundred publications, and has been translated into French, Spanish, Korean and Chinese.
The Summer My Son Painted the House The summer I insisted that my unemployed son paint the house he rattled up the ladder arriving at all the windows at once his swung pail clangouring like anger in an orchard and all that white paint tainted the panes splashed the sill and dashed at the brick as he came swathing toward the sashes like ledge pigeons like rock gulls, like guano at the cenotaph like bird lime on the hero's stony forehead in the park oh, he was dutiful enough to do it but his disgruntlement at being forced wept from his every pore like milk and he was furious his bristled arms whisked like dog wag, like sea splash and when he came to me wanting recompense his white hands still wet his body half-bleached as if he were slowly but surely becoming Master Blank or as if he were an old soul becoming 'the boy' face first . . . and looking much like the son in the photograph album the son on my desk dipped to the chin in lilies the one I loved who isn't so angry who when I sell this house some day as one might sell the brick of swans the glaze of some fog-drowsy window cleaner smearing the glass with soap in gone-dry splotches that suffer the yard to blur I also sell off little tints of wrath—oh buyer think of yourself as Vincent's brother Theo this mason's canvas as a living record these windows descended from angels whose shoulders rubbed off a chalky beatitude flying in, flying out and my son was simply tracing their journey their sojourn lingering in frost Why are Manholes Round I play shinny with the oldest man on ice a shaky skater an octogenarian wobbler barely erect on shivery blades he stands alone frozen in place like a thin-ice pylon his stick like a bent cane tapping a wooden code avoid avoid avoid and someone says "draw a circle round him see if he moves . . . " he's what you might call without intent of flattery "a stay at home defenseman" for some say "he should stay at home" but there he is always tracing the varicose blue of the paint below ice to the left-most half of himself as if he were salting the line to be sure of it there and when others sweep past saying "skate like the wind, not skate like you're winded" down comes his shaft in their wake with a chop to the ribs or the arms or the shins down like a hospital parking-lot gate on the trunk or the hood a move he denies though it's feckless of hurt as a blow from the willowy dead once he was caught on film tripping a fellow with steel in both wrists so his victim fell with a clank and was slow to get up as iron too heavy to lift from the pig with both his brave knees gone awonk and still, dear Davey denied though he'd been seen on the ice and caught by the camera and watched and confirmed by the room sweeping both feet following through still he said, "that wasn't me!" and, "I did not!" like a felon red-handed in court. I remember the night he'd spent all day sledging a floor so it cracked into wedges of broken concrete like a river's first thaw which he lifted and wheeled by himself in the ache of the hours and still he came out to play though his arms were dead as wet gravel and his legs were as weak as fat sand yet he laced up his ankles and walked like a three-legged chair I suppose he might pass through the thinnest of glaze one night he'll capsize the ink of his blades carving through as a child on a pond in the give of first cold to go down where the water won't freeze and he'll skate like a fish with his fins to the sky under ice |