Susan McMaster
Susan McMaster's memoir, The Gargoyle's Left Ear: Writing in Ottawa (2007) looks back on three decades of writing, recording, and performing poetry in Canada and abroad. She founded Canada's first national feminist magazine, Branching Out, and has edited such anthologies as Waging Peace and Siolence, along with art catalogues for the National Gallery of Canada, where she worked for twenty years. The following sequence comes from her eighth book, Crossing Arcs: Alzheimer's, My Mother, and Me (Black Moss, 2009), which pairs poems with quotes (in italics) from her mother, Betty Page.
I am lost, Mother
in the spaces you leave behind
I cannot even see
a shadow there to
follow
I have no way to comfort you in the
empty room
your mind now is
doors and windows shut
blinds hung closed
I don’t think I have Alzheimer’s. My memory is my own and I’m going to keep it.
What We Don’t Say
I snap off the radio. She’s coming downstairs. “Why can’t I stay?” Picks up a tea towel and cup from the rack. “I have nothing to go back for.”
—because already I’m worn out? —because when you’re here I can do nothing else but answer your questions, find what you’ve lost, fix what you’ve broken, remember not to say, ‘I told you that before’ —because watching you stumble down steps, over pebbles trips me over myself?
“Because there’s too much to do. No time for any fun.”
She frowns at the counter, slaps down her towel. “Why does everyone think I can’t do anything anymore? Don’t tell me I’m useless! Just tell me what to do and I’ll do it,” she says.
—just make the job: simple, easy —just provide: tools and supplies, old clothes she can get dirty, tea every hour —don’t ask her to make decisions: ‘this colour or that?’ —don’t step out of sight —don’t leave her dangling, unsure what to do next —and when she tells you of the sketches she’s made of the hayfield, don’t say, ‘you never did them’.
“Mom—please understand. We want to spend a few weeks together and alone.”
—Together? Alone? Alone like me?— she doesn’t say.
I drive her to the airport, watch as she’s wheeled up the ramp, through the gate, to be flown back to her room, the nurses, the cleaning staff.
“Fuck!” I say to the lounge full of travellers, children. “Sweet Mother of Jesus fuck.”
I had to get angry. There’s anger and fear, one or the other, and I chose anger. Anger is what keeps you alive.
Time to Plan
After coming here, she doesn’t need to worry anymore about meals, medicine, safety. There are people to talk to, complaints to make.
“Now I’m regaining my spirits and health, now is the time to plan my next ten years. “Another cup of tea?” She’s bought a pot and kettle from the hardware down the street.
“Maybe I’ll take a cruise, just keep changing ships. “Or move to Nova Scotia. I could live there all winter, get it ready for you in spring.
“I could do the Elder Hostels, enrol in art school.
“Go back to the Anglican church. Good music. Church suppers.
“Or visit each of my six children, two months each year.
“I’ve never really had the chance to do all I meant to do.”
We talk, and talk, and talk.
I don’t want to be treated as if I’ve got some horrible disease. Because, if so, everyone’s going to get it sooner or later. I can be smug about that!
Afraid she’s fallen or had a stroke when she doesn’t answer my knock, I have the nurse unlock her door, ignoring with a daughter’s disdain the clearly written post-it— “Do Not Disturb” in her school-teacher hand— stuck above the knob,
and can only laugh with surprise and a kind of relief and delight to see two bare bodies half rise on the bed, as I step in.
“Sorry!— ” I back out fast.
Who gave me the right to breach a shut door?
What made me sure age had smothered that flame?
If I must live husked like a nut, dammit you’ll hear me rattle and shake in my shell!
Letter to Myself
If this happens to me I will kill myself. I don’t mean to let the words out. And with my daughters manage to refrain. But to him, they slip out suddenly through cracks in conversation, at stopped moments in halls. Nights, I plan the method that will cause least pain. Look most like an accident. Google has thousands of recipes but not one is certain. Not Scotch and pills and winter: they say you vomit it up. Not slipping through a hole in ice: someone is always watching. And which backyard, which lake will I choose to forever poison for those left behind? There will be no more words. Not even, I’m not sorry.
This is not reality, my reality. This is where you go when you’re finished.
Conundrums
Which is worse? To lose your sight or your mind.
To be safe and smothered or alone and slipping.
Where would you rather be?
Far away and worried or close and overloaded.
In the middle or at the edge.
Angry or afraid.
Every book has to have something sad. Without that, it's a fairy tale. People of my age have been through two wars, a depression, epidemics—we can handle anything.
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