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Cut drip
A chat every is time a whole truth and there he goes again making me cry my opinions weakening the slow inclined proverbs until there is nothing but a negative graphic
were you to ask me to waste some time with you to make a request I am not sure that I would do it were you to say pretty things and leave me to wonder if they have hidden depths or remain merely the skim
were you to get what you wanted every time you read me a bolt of white lightning striking a muddy brain repeatedly were you to begin to predict your reaction to meeting here I would cry out please, I can’t stand it any more, let me go
I will demand that words begin in an affect of truth an excessively painful hammer misled so
Lovin’ arms (for Etta James)
Below our between gone fucking Hours in the darkness dreaming Together we are beginning luck Something, simply beginning
Something perched on a fallen tree In the woods at twilight a big stag Thunder on tracks tuned up the voice of this atlas to the max and boomed home stoned on the buzz of sexual expectation, ran the past.
How ragged times undoe those Joys of exploration, Katharine. How construction is cut through unevenly even in these processes of being built.
Trust longed for yet undermined. In the pipeline the shot still grass From which no smoke drifted. Happy-go-lucky lost the day.
1998 1998 1998 1998
1998 traffic 1998 heating 1998 cranium
1998 humming 1998 low 1998 sounds
1998 sequence 1998 rhythm 1998 drone
1998 system 1998 function 1998 nerves
1998 air 1998 fast 1998 thought
1998
A poetry, into A brandy doorway falling forwards onto bathroom tiles to wake up with A mouthful of bloody ivory stripes in the hospital Holding A shaded service of thinking Close to the onset of broken
discussion. A poetry reflected in A forgetful liquid A living light tattooed on A central frame A violent sweat engulfed an open steam cat-wind set to emo-croak rested let staying free headlights protected.
Who knows what I’m s’posed to know these days i kiss the bruises of the patterns on your wallpapers i feel A hand caress my new tattoo i look at you and you are here on paper you are alert to every movement of the eyes on you in A ripple of glass and a-rain-soaked doorway reflected sandy yellow upwards from A partly icy puddle on A midnight street
in winter. Soaked the smell of pine smoke from my bruised fingers. Rose wet leaves the thicket night rain rested, the options on the face of poetry oddly altered.
You like it when I take the initiative But you don’t like it when I don’t take the initiative you want me to take
I find it hard to know what to say When I am asked to explain what I meant when I said I didn’t know What I was expected to say
and an am abuser abusing abuser abuser forward And in anybody abuser abusing abuser abuser forward
yes i know but i had no clue which one you were quoting or riffing off of yes i know
no oint perfect no oint point
I <3 yr typos Your typos leak wisdom
Without regulation there is no air
Traded aspects of bread are divided; Between dirty roots-down thinking Controlled and unproductive lives Related demand to rank dependence
And sanctioned moaners bleating Prayer.
The vegetated crops are disposable Forms; corrupt and impermissible Sexual publics, starving behaviors Dreaming, bloodshot lives of liquor
And sanctioned monies weeping Prayer.
In an economy of regulated activity And peopled enactments, promoted To cook the crowd into a tank leader, Then punch the can until its square
And sanctioned flunkeys tweeting Prayer.
Enacting the tensions of a reluctant life
O Appalachians, we tried the product Treacherous groupthink collective assumption
We haunted this production Through relationship relationships
Enacting an American shtick And carrot thinking speaking
Watering the boyfriends intentions An unhappy family of experiences
How badly was our haunted refuse honored? To support group dominant
We indulge the nevercheatedon Recognition of a boorish situation
A boring and reluctant cathecting Dominant sex between difficult sparks
This more financially individuated unhappiness Bringing recognition to create arguments
Who gives a fuck about privatization?
Giving companies a profit for imprisoning people
Who gives a fuck about that dictator Kim Jong Il?
You know who .... gives a fuck! As a result there
has been a fraudulent privatization of the state
accumulated wealth, that is the wealth all of the citizens
contributed to accumulating, and that wealth has been
redistributed, into the hands of less than all of the citizens
in fact privatized in an acoustic version by The Triumverate
River Band, who released Pass the Buck. The next empire
with any luck, No one really gives a fuck, Go, fuck about
on Xbox and forget about the rest of the disorientation;
a state bonding activity for self-sufficient repayment.
The American people will never understand cream
So who gives a fuck about privatization?
Environmental Foam
The faucet in my bathroom is a Delta and
I turn its run to gushing when I’m brushing
My teeth the bone fishes and I blush
Thinking of how my brushing my teeth
In such brash fashion is both further
Polluting and depleting the environment
In which I live and brush my teeth
His mouth is masked by gathered leaves
He wants to sleep before he fucks me First he squats to dream He is a mud-caked pig in the woods Showing his enjoyment of the moment By belching
His dick spurts blood as i cap it, drink To dance around compliance
Compliance assist
Our inner life become an institutional benefit Enshrined in the form of a report on research Undertaken. Co-managing our dark environs
Need sated behavioral use of the health sets Provided. The private thing, a comprehensive Plan. Compliance on common streets assessed
Assistance. The flowers of our tight collective Federated standards enforced across the land. Outer world deviations can go post their bans
In vain. Walking the minimum services alone Life-remedial transport shot encouragement, Out of the cradle, a knowledge of retirement.
cris cheek, self-described "poet-pedagogue, writer-critic, book artist-publisher, new media practitioner and interdisciplinary performer".
He teaches at Miami University in Oxford Ohio
cheek works in various spheres of the contemporary art, incorporating a wide range of media-strategies and technologies into his projects.
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