Michelle Greenblatt
1/ On every street-corner, people are screaming Out meaningless headlines. Eros is exhausted: was a god, is a moon. Events here on Earth are so easily crossed out. In art (like sex) the unbidden sneaks in with willingness. We listen with the same weaknesses; we wear our identical skins. Scarlett smashes open every entrance: all water must be allowed in. These days, grammar and decency wash up on the beach With the rest of the detritus. Dig her a hole, she'll call it home. The emptiness in her head is a killing thing, pressing itself Into her epicentered loneliness. Every melody now scripts itself for loss. August 12. 2013.-October 6. 2013. 3/ Stress is the weight crushing her Memories. Her pockets are as empty as her head. Why this rush and rigor, this cumulonimbus muttering? She is the person Who sits quietly in the room; she never says anything / meaningful anymore. Remembering togetherness provokes doubt that lasts as long As each insomniac night. Easy to forget how hungry absence can be. Every emptiness forms its own unique shape. She is waiting for the life- Sized electric lawn-angel to cast away the unbearable, to reintroduce her to truth. The ticking metronome is driving her to think terrible Things, terrible things: blue, for example, has acquired teeth. August 12. 2013.-December 16. 2013. 5/ Carrion beetles are gorging on yesterday's tragedies. Can anybody explain what the burning clouds mean? She would be on her knees, praying, but torsion Gets her nowhere further than this current / mindlessness. Concern fascinates the facts she effortlessly Skins. All her words amount to is ventriloquism. She's anxious his message will be a blurred series of mumblings, That he'll garble the confession she's been waiting 14 years to hear. Bloodbox, sourblack hymns: she ends here-pale, wasted-past this poem's hazard. The phone in the kitchen is ringing; she's terrified it's finally him (hesitate, O hesitate.) Monday. August 12. 2013. -December 16. 2013. 11/ Pleased to consider his invitation for dinner and wine. She's forgotten precisely Why it's so important (the fact that he is wearing a mask) but this concern, too, shall pass. She worries about enclosed spaces, forbidden border-crossings. Natural to want to be clean, bright And intact, but it's filthy and dark here, she's sharp-toothed and cracked: important to remember this. What was she thinking?-the thought is there, flopping against the porcelain basin, too Slippery to retrieve-she waits, terrified as her body unhands the last of her / working synapses. She's fascinated by holes: circles in the knees of jeans, emptiness where Her memories used to be-oh, but even in betrayal, the mind can be cunning. That which escapes from within spills over, fills her with a warmth close enough To company. Perpetually caught between departure and destination, she is forever arriving / at loss. August 14. 2013.-December 16. 2013. 12/ News of the failing certitude of normalcy is brought by the return of exhausted gossamer wings A new mental pestilence Xeroxes copies of itself and spreads them like a scythe across her mind. Uncertainty regarding relation to truth creates an ever-slackening tension. Something is bent On tearing light from matter, image from similitude; it has brought permanent darkness down. Torn awake, she leans her head against a wall and the wall is not. Fear forms continuously in Diffuse nebulae; a constant trembling discloses the sinister intentions of the condensing shadows. Below, a multiplying nightblack insidiousness visibly surges without reference to a human Presence. Absent of all ambiguity, neurons spike quickly: catastrophe is consummating a holocaust. Confusion metes out exile; at variance with standard distance, certainty dissolves, spilling in runnels Down her hands. Stand where the crossing occurs, watch as the world collapses back into nothingness. August 14. 2013.-December 16. 2013. 13/ Rhythms of absence and presence determine sky and ground, driven Transverse now. Respite is oft mistaken for the distant, shimmering horizon. Dusky specters, those dancing projections pregnant with prevarication, suction themselves To sentient beings and lay claim to stolen language by wrapping their hands round its throat. It's not difficult to understand her body / has finally unhanded her Mind. It's only when she looks away that the day-lit landscape recommences. All cracked black vowels, shadowy consonants, and hissed sibilants, his voice whispers, eyes I gave You; your tongue, your mind: At any point along the trajectory of the self, he can make her body stop. Tempting to believe this is a fiction her exhausted thoughts have penned, but When she turns, a piece of music at its andante, the crawling shadows resume. Wednesday. August 14. 2013.-Friday. January 10. 2014. 14/ Waking in her winter bed, feeling a long way from home, she helps herself to Alice's magic Pills so that she might last through another grey day's surging waves of vastblack panic. He is the darkness descending on Ft. Lauderdale; She is the winter child he hides in his forest's dark places. His wicked night-smiling face mars the equinoctial sky, lending it his sepulchral pall; He blots out the evening's joyous display of diamondhard stars' coruscated scintillations. Subtlety departs at dinnertime-he pinches her side (lovetouch, Warning, reminder)-he'll come for her again, when she's least expecting him. What runs through the tunnel of her gaze, he seizes there And stains. Too late: when his wake takes shapes, he's gone. Wednesday, August 14, 2013.-Friday. January 10. 2014. 15/ Premonitions of pesticide clouds spoil the margaritic moonglow Glazing nacreous light over aureate fields of marigolds and morning-glories. Days like this, she leaves alibis behind, slipping Into an aberrant parade of displaced dreams. Weeks spent pent up in doorless, razorwire- Topped rooms have extinguished all fantasy. These nights, when she sleeps, she dreams about Needles. Aidan says drag / accounts for metamorphosis. Saturated by arrestless shifts of glare and shadow she mistakes For an opening abyss, she folds inward, a compressed accordion. She is all bruised blossoms and astonishment. Because, not seeking, She was found, her filamented path back to him is forever fugitive now. Thursday. August 15. 2013.-Friday. January 10. 2014. Author's statement:
These poems come from Michelle Greenblatt's [as yet untitled] book of ghazals, which bear witness to the life of Scarlett, a broken-hearted woman living in isolation. Surrounded by a dense, mysterious forest and plagued by insomnia, Scarlett slowly begins to lose her mind. The ghazals chronicle her painful journey through into madness, and her desperate attempts to reclaim her sanity. Michelle Greenblatt is the poetry editor for Unlikely Stories. You can find her work in Free Verse, Bird Dog, Counterexample Poetics, Dusie, Brown Paper Wrapper, Altered Scale, The Argotist Online, eratio, Sawbuck, The Weekenders, Hamilton Stone Review, Moria, Shampoo, elimae, Coconut Poetry, Big Bridge, AUGHT, BlazeVOX, Xerolage, Blackbox, Naked Sunfish, Fire, Word for/ Word, The Anemone Sidecar, The Spidertangle Anthology [of Visual Poetry] & Otoliths, among others. A two-time Pushcart-Prize nominee, Greenblatt's sixth chapbook, Dark Hope, was co-authored with Vernon Frazer, & was published by The Argotist Online; her second book, With Explorative Hands, co-authored with Bill Mavreas can be purchased on Amazon.com; her third book, ASHES AND SEEDS, is forthcoming.
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