Sylvia Adams
Sylvia Adams is an Ottawa poet and novelist. Her publications include the national award-winning poetry chapbook, Mondrian's Elephant, and the poetry collection, Sleeping on the Moon, which was runner-up for the 2007 Lampman-Scott Poetry Award. In 2005 she won the Arc-sponsored Diana Brebner award and was short-listed for The Malahat Review Long Poem award. Her children's picture book in verse, Dinner at the Dog Pound (Trafford, 2009), just published, is now available from www.sylviaadamspublications or www.trafford.com.
Listening for the Dead I. My father's death surprised him as much as anyone. A stroke they said, like his mother before him. No warning except for an aching neck the day before. He didn't know what a headache was, said my mother, who'd suffered from migraines all her life. He was preparing for bed one night, thinking perhaps of Hallowe'en candy, in case the grandchildren came. Or planning, at last, a Florida winter. My mother heard him fall. By the time I drove across town to the old stuccoed house, there was my father, who'd vowed to leave this world a tidy place, debt-free, being carried out in a blanket, a doctor as old as himself struggling to keep those cold, pale feet from bumping the stairs. Don't look, someone said. Or perhaps I imagined they said it. Toward morning, we tried to sleep— I on the couch in the living room, my disbelieving mother, and my grandmother, who lived with them and needed us both to help her up the stairs. I kept listening for him but the shadows were shocked into silence. II. The winter after he died, his slippers whispered across the carpet, the way they did when, at four, I lay on my stomach, shading Rapunzel's hair with my favourite jumbo pink crayon. He stood at the kitchen phone, receiver to ear in voiceless dialogue. Perhaps in repeating daily rituals he would discover that nothing had changed. Early the following May, I dreamed that he sat at a banquet table, eating cake with strangers. I called to him, but he rose and walked away into dazzling air. Wait! Take me with you! I called. He turned and held out his hand: Not yet— the light an ovation of white beyond him. I woke, his hand still nudging mine. Why hadn't I said, Come back? III My mother takes flowers to the cemetery in containers she knows won't get stolen. Is she thinking how the lilacs she brings brush her cheek like fingertips of the dead, how my grandmother's mouth opens like a bird's, waiting for ice cream? |