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Construction
Pathway Let’s play – with him Squashed paper – flattened thing
Let’s go – next doorSpilt dust – white C
Let’s jump – the crackGetting lower – square hole
Let’s climb – the wallRound corner – black cracks
Let’s look – for herStraight line – brown stain
Let’s run – round thereOne curve – two bends
Let’s do – that againWhite squiggle – in middle
Let’s hop – like thisThat triangle – puddle splash
Let’s hide – down hereGreen paint – low wall
Let’s shout – real loudGrey patch – wet stone
Let’s start – to screamBrown crumbs – yellow LAccounts White eagle overhead screeches over its shoulder stretching talons and wings. Splayed out aching flaking palms explore turquoise perspex smashed and shattered showing handfuls of dust fluff gathered up around fluorescent wiring with stains running dripping down graffiti. Wrinkled flatness as both feet plunge into inside prickling spiralling round then heaving blood seeps into mould pores swallowing up gobbles clumps moulded absorbed and enclosed.
Head shatters broken triangle of arrows as chest continues through smoky glass leaving behind pink marble flecked black white and beige grey fingers enter dusty zigzagging woodgrain window frame. Sill juts jabbing into stomach and lower ridge digs shins as one knee enters shiny black grille and other passes streaks of dog piss staining dark green. Shades of the dull matt metal safe are shouldered aside as body melts resisting bricks.
Reflections or real thing as pale lemon griffin claws to escape circle of circles. Toes force black speckled stone whilst forehead bends in grey brown unreachable expanse of glass sideways and above. Thumbs then elbows then ribs shove aside thin grime layer specks covering smooth white marble streaked wiggly and through horizontal dirt-lined ridges older then fading discoloured metal joins around hips passing and merging.
Above the horse looks over its shoulder. Pressing neither warm nor cold stone shining yellow grey white with small dark streaks and varnished wood orange brown. First dirt then hardness. Fingers squeeze pitted stone and nails bend. Cheekbone squashes over dusty glass. Sore knee eases khaki tiles. Feet following scraping over rubbish and everything flattening and resisting and pushing through into. Hades
quiet moss – quiet cars a path again – going back half-heard noises twisting – stretching through the place I remember – the way to go a light brown path – sinking away brown and green getting darker – darker here warped trees and branches – a fallen splitting branch orange and green floor – yellow spots really lost – rustles and creaks a clearing – scratching twigs break roots soft to touch – nearly touching the ground greens – different greens – green flecks – flashes of green bending this way – towards me I Think I THINK THE THOUGHTS COME QUICKLY ONE AND ANOTHER WILL THIS CAR STOP AND WILL IT KNOCK ME DOWN? WHAT CAN I BUY AND MUST I BUY? SHOULD I GO HOME? WHAT’S THE BEST WAY I ALWAYS GO? I SMILE AT SOME PEOPLE I LIKE IT’LL BE NICE TO GET TO KNOW THESE PEOPLE REALLY WELL TO TALK TO THEM FOR A LONG TIME AND FIND OUT EVERYTHING ABOUT THEM AND WHERE THEY LIVE WHAT THEY LIKE TO EAT FOR DINNER THEIR FAVOURITE TV IF THEY LIKE ME SOMETIMES OFTEN I STOP TO TALK TO PEOPLE BUT THEY DON’T ANSWER ME VERY OFTEN AND NOT FOR LONG I REALLY LIKE TO TALK TO PEOPLE I FIND IT REALLY INTERESTING I WONDER IF I’M WEARING TOO MANY CLOTHES TOO HOT AND SWEATY. SHE’S TOLD ME TO WEAR TOO MANY CLOTHES I SAY SOMETHING TO MYSELF OUT LOUD SOMETHING I HEARD PERHAPS YESTERDAY AND PERHAPS FROM THE PERSON FROM NEXT DOOR THIS SHOPPING BAG IS VERY HEAVY I WONDER IF I SHOULD TAKE OFF MY JACKET AND CARRY THAT TOO I STOP TO LOOK UP AT A PICTURE THAT WOMAN THERE HAS GOT HER EYES SHUT I DON’T KNOW WHAT FOR AND WHY THAT HAS TO BE....
To Vauxhall Paving cutter zwhine Decaying Alamo Smile SE11 Hanover hangover Flashing Aspen Thwaites in yellow Lamb of God Scaffolding by platinum She wants to put a band on me Policing pledge Wrong way – miles away Patient pledge Smears rubbed out Red waves – yellow geometry Kiss C Man with hat Orange drips Single wavy line Drips Amost erased house numbers on wheelie bins Blue 208 Rights tired KC on green 43 GMKG White fold dog on black Upside-down CND SOP in white Khaki trickles Pussy faint Giant black penis on metal Manaca with a star Drove 4 on concrete floor IX but dribbles down Undergrowth A colourless, odourless gas Music maybe…Some movement up there
Consists of one carbon atom linked to one oxygen atom It’s worth thinking…Always looking
A product of the incomplete burning of hydrocarbon-based fuelsI wonder how long…My ears are ringing
Enters the bloodstream through the lungsPerhaps another one…People get lost
Binds with haemoglobin, the oxygen-carrying molecule in red blood cells, to form carboxyhemoglobin Should I have light…A long time ago
Carboxyhemoglobin prevents the blood from carrying oxygen to organs and tissues I can’t find it…Warm enough
Cells obtain their energy from oxygenNot too quickly…I can just make out the sky
Most cells have a limited capacity to live without oxygen but brain cells do not I don’t think so…A headache
Brain cells stop working if no oxygen is present and they die if deprived of oxygen for a few minutes It should be quiet…Where is that?
Death is the irreversible cessation of all functions of the brainI need to get comfortable…It’s complicatedVagabondia
Held out it deals With a dog’s view From street level Constructed Worn and torn Aiming at a look Reflecting An age-old artefact Containing In the marketplace A riposte raised up To consider notions Buying and selling Trivia finding value Being exhibited Creaking over Dead ground catching A better life waiting The light constructed Scraps of paper Pavements and alleyways Making a relic Containing just traces A figure inscribed A worn-out surface To suggest denial Raised up to provoke Arranged haphazardly Standing against a wall As though they’ve been Left in semi-circles On the sand As close as possible Without touching On a blue cloth Next to a photograph A child contrasting Then and now Tony Rickaby has shown his conceptual works,
installations and paintings throughout Europe and the US. He has
produced hypertext animations for Drunken Boat, Locus Novus and Toad,
visual poems for Altered Scale, Counterexample Poetics, Cricket,
InStereo Press, 20x20, Otoliths and Suss and writings for Anderbo,
Athregeum, Aspidistra, Dark Sky, Fox Chase Review, Pocket Litter,
Streetcake and Word Riot. He lives in London. www.tonyrickaby.co.uk
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